The story of sex, erotica, and pornography XII. – the Italian Renaissance and the Age of the Courtesans

Renaissance. A romantic age.

The rules of sex

In the 15-16 century, in Europe, they belived, that erotic thoughts and deeds hinder one’s redemption. The church and the morals agreed that sex was needed, but only to create offspring and populate cities, not for fun! Sex had its rules, such as that the “natural” position is when the man is over. If the couple faced each other lying side by side, that was an acceptable category. One of the most disgusting was when the woman was over. They judged only Sodom better than this. It is, therefore, worth examining the social and cultural background that gave birth to the above rules.

Male homosexuality

For most Italians, the problem was homosexuality. As in ancient Athens, adult men played the active role, young boys the passive. A crucial moment in the transition was moving from one situation to another, and then when men were “adults,” there was heterosexuality within marriage. However, if two adult men continued to have sex with each other, it suggested that this could not only be a temporary state. Still, it could also be permanent and dangerous to society. Hence the admiration of the young body, but the adult male has already lost its appeal.

To overcome male homosexuality, the larger cities – Florence, Venice, and Milan – encouraged female prostitution.

Florence, Britannica.com

But since the beginning of the 13th century, brothels have operated alongside markets to promote attraction and marriage to women. It was almost a civic duty to express a desire for a female body, the ultimate goal of which was procreation and thus the population of cities.

Courtesans

In the Renaissance, in 15-16. Century a new word appeared in Europe: the courtesan. The Italian names il cortegiano and the French le courtisan referred to people who were courtiers. The attractive women who appeared in their surroundings and were supported by them began to be referred to as courtesans. In the Renaissance, the courtesan was sharply separated from ordinary prostitutes.

The courtesans were wealthy and educated, able to talk about Petrarca’s sonnets with equal expertise, singing beautifully, playing on the lyre, dancing, and being very versed in the art of love as well. That’s why they cost a lot. They lived respectable lives and spent their days among the upper strata of society, aristocrats, wealthy merchants, and chief officials. The courtesans were clean, elegant, good lounges, or just neat businesswomen. They could play an instrument and sing, and they could entertain men.

Many courtesans became known by the name of their hometown, while others preferred names referring to power. It was widely believed that an educated courtesan was far more dangerous to young men than a cheap and poor prostitute because he sold his favors so dearly that he could ruin more young nobles.

Most cities have tried to persuade prostitutes to wear garments that differentiate them from decent women. There were cities where they had to wear a red cap with small bells, elsewhere they had to wear a black cloak, and in Rome, they were forced to veil their faces. And they didn’t need better marketing. Their appearance immediately betrayed their occupation, and the potential knew they didn’t have to run unnecessary laps.

Veronica Franco

One of the most famous courtesans was the beautiful Veronica Franco (1546-1591), the poetess. She lived in Venice. Her lover was for example two Renaissance painters, Jacobo Tintoretto and Paolo Veronese. This film is about her life.

Veronica Franco, pinterest.com

She spoke in seven languages, played the flute, and wrote poems. She was a cortigiana onesta, meaning an educated and sophisticated prostitute. Even She also had an affair with  Henrik III., King of France (1574-1589).

Tintoretto, wikipedia.org

The first Renaissance erotic literary work appeared at about the same time as Giorgone painted his Venus.

Sleeping Venus, wikipedia.org

At the beginning of the 16th century, Giuliano Romano made a series on various sexual postures: he depicted the most forbidden, i.e., women are at the top of the pictures and men penetrate their women from behind. Interestingly, however, it was not the drawings that were the problem. But the fact that they were widely distributed. They were also confiscated and destroyed by papal order.

Double expectation

Duality related to sexuality was characteristic in several areas. For example, the patrician families kept the innocence of their girls. But the boys may have been taken to the local brothel by the heads of families themselves to learn from experts what to do on their wedding night. Another interesting fact is that the secular authorities made every effort to regulate prostitution, year after year, in more and more regulations. At the same time, the goal of the city authorities was to keep the brothels alive and profitable. Because the owners of the brothels payed the one-eighth of their income as tax.

Thanks to this dual attitude, then, prostitution flourished in Renaissance Italy. This practically meant that there was at least one brothel in every city and more in the larger cities. In 1468 there were more than 200 such institutions in Venice. And a tenth of the inhabitants of the town were prostitutes!

Venice, wikipedia.org

In most cities for brothels they set aside a few streets. But in Rome, for example, they had a whole quarter of the city at their disposal. Whoever gave himself up a bit worked in the brothel. The brothels were two-story houses with an inn at the bottom where you could eat, drink, dance, meet ladies. They made the deal downstairs. The action took place upstairs. Here were the rooms, and they separated them with planks and curtains. In the Italian brothels the working girls were blondes. They were from Germany or they were Slavic. And the local men founded these girls very attractive!

Here can you read more about Italy, about the topic of the ancient Rome and sex, here!